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Monday, April 21, 2008

schiaparelli and mars maps

Schiaparellimars

annalee newitz recently contributed an awesome post to io9 comparing 19th century maps of Mars to current science, which she got from an even awesomer (if possible) post on BibliOdyssey. Annalee compares the historical maps to more recent satellite photos from the 1990's. Peacay of BibliOdyssey show a buncha Schiaparelli maps, and a Percival Lowell map, and talks about the (to me, now) well-known history of the canals and the Martians.

What impresses me about this Schiaparelli map (Schiaparelli was the eye-talian who called the structures above depicted "canali," which simply means "channels" in Italian but was misunderstood as "canals" in English, thereby setting off the intelligent-life-on-Mars craze) is how wacko-Max-Ernst-modernist-sci-fi-y they look. Is this the source of a particular aesthetic? Or as Peacay put it:

Schiaparelli's (in)famous 'canali' turned out to be a kind of optical illusion caused by interactions between light, dust clouds that form in the martian atmosphere, the orbital location and background interference from the planet's surface itself. If a sketch is made of something that wasn't really there but you believed it to be there at the time, can you call the result abstract art I wonder? I guess so.

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  • Geography and space are always gendered, always raced, always economical and always sexual. The textures that bind them together are daily re-written through a word, a gaze, a gesture. -- Irit Rogoff

    The books one reads in childhood, and perhaps most of all the bad and good bad books, create in one's mind a sort of false map of the world, a series of fabulous countries into which one can retreat at odd moments throughout the rest of life, and which in some cases can survive a visit to the real countries which they are supposed to represent.
    -- George Orwell

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