Why You Still Need to be a Feminist
Here they are, in black and white (or red and blue, actually): the breakdown of male/female representation in the most elite publications in the country in 2010 from Vida. Here's the speculative fiction version from Strange Horizons, along with links to discussion of the above.
Spoiler alert: men review more books and get more books reviewed than women -- and by a factor of two to three, depending on the publication.
But then, there's a good reason why; more men are being published:
We looked at fall 2010 catalogs from 13 publishing houses, big and small. ... Only one of the houses we investigated—the boutique Penguin imprint Riverhead—came close to parity, with 55 percent of its books by men and 45 percent by women. Random House came in second, with 37 percent by women. It was downhill from there, with three publishers scoring around 30 percent—Norton, Little Brown, and Harper—and the rest 25 percent and below, including the elite literary houses Knopf (23 percent) and FSG (21 percent). Harvard University Press, the sole academic press we considered, came in at just 15 percent.
I speculated that independents ... would turn out to be more equitable than the big commercial houses. Boy, was I wrong. ... Graywolf, with 25 percent female authors, was our highest-scoring independent. The cutting-edge Brooklyn publisher Melville House came in at 20 percent. The doggedly leftist house Verso was second-to-last at 11 percent. Our lowest scorer? ... Dalkey Archive Press ... it would be nice if more than 10 percent of [their books] were by women. (In the 2011 edition of Dalkey’s much-lauded Best European Fiction series, edited by Aleksandar Hemon, 30 percent of the stories are by women.)
... these numbers we found show that the magazines are reviewing female authors in something close to the proportion of books by women published each year.
So now you know.
Of course, this plays out across all elite and desirable fields:
According to a fact sheet published last year by the AFL-CIO’s Department for Professional Employees, in 2008, women constituted 32.4 percent of all lawyers and 32.2 percent of physicians and surgeons. (We’re 68.8 percent of psychologists, 92 percent of nurses, and 50.4 percent of technical writers, the only type of writer included in the report.)
We've evened out in law school and med school ... but then we outnumber men in MFA creative writing programs, and look at the publication and review numbers. So there are actually several moments of concern.
And, of course, Jessa Crispin at Bookslut uncovers further isshoes:
After talking with editor after editor, a pattern started to emerge. "We don't get enough submissions by women." At each publication I talked to, women were submitting an average of 35% of manuscripts, poems, articles, and pitches.
Which, of course, leads us to (part of the reason) why:
There's something about the culture at some of these places listed at Vida that make me think I would never in a million years be accepted there, and after taking a sampling of some female writer friends, I'm not the only one. Take the Atlantic, for example. Their rates of publishing women were not as devastatingly horrible as, say, The New York Review of Books. (What the fuck, NYRB?) But the women they are perhaps best known for publishing are Caitlin Flanagan, who writes about how abortion is bad, sex is bad, staying at home with the kids is awesome, doing her husband's laundry gives her purpose. Also Sandra Tsing Loh, who writes about her infidelity, the breakup of her marriage, being a bad mother. There is absolutely nothing about The Atlantic that screams out to me: We are totally respectful of women and their various viewpoints, and we'd be interested in publishing the work of a single, globetrotting, pro-choice feminist who does not under any circumstance want to write about her relationships, her femininity, or her sex life.
Hm. That's starting to sound strangely familiar.
So here we are again, folks. And, as usual, my response to all of this is to want people to do something about it. Only this time, instead of giving advice to others, I'm doing something myself.
If women aren't submitting at all in the proportions in which they are actually writing (and I've made that contention myself before) then let's get women submitting their work. I'm working on a way and will have more to say about that later. But here's a beginning.