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January 11, 2013

Urban Fantasy Structures and Definitions II

And there's this:

"There is simply something fascinating about vampires and werewolves. If there wasn't, there wouldn't be so many movies about the damned things. Or so many books. Or legends. There is something about the notion of great power coming with an awful curse, the notion of a man becoming both more than a man and less of a man at the same time that inspires the imagination. Whether it be the horror a man experiences as he loses the very things he never knew he held so dear and having to suffer that loss for all eternity, or the notion of becoming something so uncontrollable that a man would want nothing more than to die, if only for that single moment of peace. Talk all you want about those 'cheesy old Universal monster movies', but by god, those movies had heart. Those movies had soul. Those movies dealt with the very essence of what it was to be human.

Those 'cheesy old monster movies' managed to understand the very essence of what those crazy old legends were really all about.

But maybe that isn't what you like about Vampire/werewolf lore. Maybe you simply love the sheer fright of the notion of these once human beasts prowling the night, with the ability to suck a person dry of every last drop of blood whilst they slept or tear a grown man limb from limb in a heartbeat."

From here. Gotta remember this. But change "man" to "woman." This reviewer was right in saying that Underworld was structurally flawed because it was The Matrix told from Trinity's point of view. This is only ridiculous if you don't completely commit to telling The Matrix from Trinity's pov. If you do (and Underworld didn't, it's true) then you have something pretty damn cool, very urban fantasy-y, and dealing with WOMEN's issues and not men's, the way The Matrix did.

Anyway ...

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