Urban Fantasy Structures and Definitions III
Urban fantasy is pretty much the only genre today exploring not only the ethics of power and consent, but also serious questions of violence and gender relations from a primarily female point of view.
And then, this:
The responses of female protagonists to violence lies at the heart of the moral and ethical ambiguity that makes for good urban fantasy. Our culture is horrified at the idea of the Dark Feminine--the woman who demands for herself the right of violence and doesn't feel bad about it.
The simple move of violating our expectations by placing a woman in the position to dish out the hurt introduces a lot more gray into areas normally considered black and white. Questions like When is violence acceptable? or What is justice, and can it be administered personally? become questions with no right answer, questions we must re-examine.
Which I don't really agree with. It would, if most UF didn't present female violence with the same lack of thoughtfulness with which action presents male violence. But it's not often reflected on, so it's often just transferring the violence over into hot wimmin bodies. Even Buffy did a lot of this.
But then, this:
Again, word, but only if it actually DID that, instead of knee-jerkingly imposing magic on the proceedings because that's what the ladeez wants.
The use of magic in UF is also particularly telling. Magic in fiction is the time-honored way of slipping a hand up the skirt of convention and giving her something to smile mysteriously about. It's a way to frame deep questions without getting boring; a way to explore what-ifs. Every urban fantasy novel worth its salt has magic that costs something, whether it's cash, blood, innocence, or just plain physical energy. Magic also allows more gray spaces to be opened up, so the ambiguity can breathe.