September 18, 2008

Reading Update and APAture LIVEBLOGGING!

Also, I just finished Maugham's The Painted Veil. Can't write about it right now. I'm reading it as material for an essay I'm trying to write about politics of narrative. Maybe I can work out some ideas here but not for the next couple of weeks because

I'M LIVEBLOGGING APATURE!

APAture is a festival I started with a group of people at Kearny Street Workshop ten years ago. This year is its first big anniversary and I've started a liveblog where I'll be documenting all the events. I've also put a feed to this blog in the upper left hand corner of the page you're reading now. Look over there! It says "APAture Live." That's it!

Please follow along with us, dudes and dudettes.

I gotta run now and start blogging. The gallery opening starts in 45 minutes.

September 15, 2008

Carl Brandon Society Hispanic Heritage Month Book List

Happy Hispanic Heritage Month y'all!

If this looks familiar to you, it's because you've seen this sort of thing before.

Every national heritage month, members of the Carl Brandon Society (an organization of writers of color working in the speculative fiction genres) create a list of ten speculative fiction books in print written by writers of that particular heritage. The 2008 Carl Brandon Society Hispanic Heritage Month Recommended Reading List (I know, it's long) is below.

Please forward and post everywhere, take to your bookstores and libraries, tell all your friends! These are books worth reading, and it would be great if you could read one of them between Sept 15 and Oct 15 and blog about it! Yes?

*****

The CARL BRANDON SOCIETY recommends

the following speculative fiction books by writers of Latin American heritage

for Hispanic Heritage Month:

  • COSMOS LATINOS: AN ANTHOLOGY OF SCIENCE FICTION FROM LATIN AMERICA AND SPAIN: a terrific, five-year-old anthology of early-to-contemporary SF stories from Spain and Latin America, showing the breadth of Latino social concerns and imagination.
  • Jorge Luis Borges LABYRINTHS: A short story collection very like FICCIONES, his other book. Am not sure which one has my two favorite Borges stories: A) the story about the man who is on a bus trip and who is fated to die 2) the story about Judas being the real savior because he was the one who was despised and rejected of men. Just turning the entire Jesus story around and saying Judas was the lamb who sacrificed himself.
  • Adolfo Bioy Casares THE INVENTION OF MOREL: Casares was an Argentine writer in the circle of Jorge Luis Borges. MOREL steps directly into the realm of science fiction, in the tradition of THE ISLAND OF DR. MOREAU, dealing with unnamed technology and its very specific effects on human psychology.
  • Julio Cortazar HOPSCOTCH: Remember those Choose Your Own Adventure books where you get to choose your own endings, make your own timeline, and generally skip around and rearrange the chapters? This is the best of the best. It's a novel about philosophy and order and meaning and quite fun.
  • Carlos Fuentes DEATH OF ARTEMIO CRUZ: This is the first book (the only book?) I ever read where each chapter is written in a different person. First person, Second Person, Third Person. There is also the great f*ck chapter. An old revolutionary is dying and thinking about his life. We see a lot about the Mexican revolution and get tons of stuff about political corruption.
  • Angelica Gorodischer KALPA IMPERIAL: a quirky collection of stories about a fictional great empire that rises and falls and rises and falls. Translated by Ursula K. LeGuin
  • Mario Vargas Llosa AUNT JULIA AND THE SCRIPTWRITER: hilarious, mischievous, and masterful...a wonderfully comic novel almost unbelievably rich in character, place and event.
  • Gabriel Garcia Marquez ONE HUNDRED YEARS OF SOLITUDE: Totally wonderful love story with folk-legend. It's like listening to one's hoo-doo believing grandmother telling you about events in her life. A lot of brothers, a lot of love, a lot of passion, a lot of spiritual cause and effect.
  • Guillermo Gomez-Peña THE NEW WORLD BORDER: the strangest book about performance art you've ever read, Gomez-Peña casts forward into, and writes news reports from a borderless future where whites are a minority and the language is Spanglish.
  • Juan Rulfo PEDRO PARAMO: A man goes back to his parents' village to try to find the father who abandoned him. Trapped there by ghosts, he learns the horrifying story of his father's evil deeds. One of the first "magical realist" novels from Latin America.
       

For more information, please visit www.carlbrandon.org.

June 04, 2008

I'm SOOOO Tired of This

First, Geraldine Ferraro says reverse racism, and Harriet Christian says "inadequate black male."

They get reamed, as is proper and right, with a thoroughness that you can google yourself.

Then, Joan Walsh says,

Beyond Christian's deplorable reference to Obama as an "inadequate black male" was a wail worth hearing. She also said, "I'm proud to be an older American woman!" I can feel her pain. Reading the sexist attacks on Clinton and her white female supporters, as well as on female journalists and bloggers who've occasionally tried to defend her or critique Obama, has been, well, consciousness-raising. Prejudice against older women, apparently, is one of the last non-taboo biases. I've been stunned by the extent to which trashing Clinton supporters as washed up old white women is acceptable. A writer whose work I respect submitted a piece addressed to "old white feminists," telling them to get out of Obama's way. I've found my own writing often dismissed not on its merits (or lack thereof) but because as a woman who will turn 50 in September, I'm supposed to be Clinton's demographic. Salon's letters pages, as well as the comments sections around the blogosphere, are studded with dismissive, derisive references to bitter old white women.

Then, Ta-Nehisi Coates says:

Once I heard Walsh invoking the words of two bigots to make her point, I checked out. Physician heal-thy-mutherfucking-self. Ferraro is the same woman who argued that "racial resentment" was OK. Walsh apparently thinks Harriet's description of Obama as an inadequate black male, "was a wail worth healing." I'm physically sick reading that. I never much agreed with Walsh's take on the Clinton's, but for my money, she just fell into Pat Buchanan territory. Anyone who thinks there's something to take from someone who says it's fine to resent black people racially, who claims that there's something worth hearing in describing the first black man to ever win a major party's nomination as "an inadequate black male" is the moral equivalent of a racist to me.

Oh, HELL NO. Walsh specifically said beyond the deplorable "inadequate black male" comment was a wail worth hearing. It is NOT OKAY to twist that into her saying that "inadequate black male" is a wail worth hearing. That's just plain stupid. Walsh was VERY CLEARLY saying that these women had a message about sexism that was obscured by their racism, and NOT that their racism was okay.

And pointing out that a woman who is a forty-year democratic party stalwart, as well as a woman who is the nation's first female vice presidential candidate, might have something apropos to say about sexism in elections despite their manifest racism, does NOT put Walsh into the lunatic fringe. There are few women out there being loud and passionate about the sexism in this campaign who aren't outright Clinton supporters and, racist or not, all white women Clinton supporters have been accused of implicit racism in this election at one time or another. To say that a woman who approves the gender message of a racist commenter is herself beyond the pale is tantamount to an attempt to silence the debate on sexism in this election.

I'm sooooo sick of hearing people say that racism puts people completely beyond the pale ... that the moment somebody says something racist, you simply don't have to listen to them anymore. People can be--and usually are--vastly ignorant about everybody else's oppression, but very clear and articulate about their own. The poor whites who blame undocumented immigrants for their own bad education and healthcare and underemployment are obnoxious not because their situation isn't truly bad, but because they're blaming it on the wrong people. And ignoring the whole complaint because of its racism is throwing the baby out with the bathwater.

This is EXACTLY the attitude that led to Obama's stupid and arrogant bitter white people comment. This is exactly the attitude that puts educated, powerful blacks like Obama beyond the sympathy of poor and working class, less-educated whites. If Obama is going to win, not only does he have to stop making bitter white people comments, but his supporters have to stop ignoring the desires of people tainted with the racism brush, since they make up the majority of voters.

If a misogynistic black man can be both held to account for his misogyny, and also listened to for his experience of racism, then racist white women who have just been treated to the year-long public spectacle of a wealthy, powerful, and respected white politician publicly pilloried by men of all races because she is a woman can be both held to account for their racism, and MUTHERFUCKING LISTENED TO for their experience of sexism.

And just like non-blacks don't get to tell blacks when they've crossed the line in their frustration with racism, MEN DO NOT GET TO TELL WOMEN when they've crossed the line in their frustration with sexism. If Coates wants to analyze, instruct, or ream Ferraro and Christian for their racism, more power to him. And yes, it's time for them to shut up. But to dismiss the just protest against manifest and obvious sexism made by these women is not okay. And it's not okay to dismiss Walsh's argument because she jumps off of Ferraro's and Christian's comments.

Coates says further:

I want to see Barack Obama out there courting the vote of all women. I want to see him talking specifically about what his plans are. But I've got no interest in seeing him court those who would use feminism, as a cover for their own blackaphoic views. Later for them. Let them vote McCain, and go join the party where bigotry is part of the platform. The rest of us have a country to save.

HUNH? Does Coates really think that Ferraro's and Christian's public brainfarts were about how afraid they are of black men? Their feminism isn't anything but a cover for their racism? Wow, that's gotta be the most sexist thing I've heard all year.

DUDE, IT'S NOT ABOUT YOU. I know it's shocking, but sometimes, even in a world Obama inhabits, even in an election that includes your wannapund ass, race isn't the thing people are focused on. These women are angry about a woman NOT getting elected, they're not really angry about a black man GETTING elected. They're blaming it on a black man getting elected, because they need something to strike out at, and this is something new that they don't understand. But their passion is all about the wimminz. Shockingly enough, they're passionate about THEMSELVES, NOT YOU.

Of course it's not okay for them to be striking out in this racist manner. And yes, they need to be called out for it. And yes, Ferraro and Christian need to shut up, now. They've lost their right to the talking stick because they can't seem to hold it without being racist. But let's be clear: if the race had been between Clinton and Edwards and the same thing had happened, the same campaigns had been run minus the racial element, Ferraro and Christian, not to mention Gloria Steinem, would be making just as loud public statements about the sexism of the campaign, and would be just as angry. And rightfully so.

At the end of the day, a woman's racism will not buffer her from misogyny. DO NOT tell me or anyone else that racism somehow makes a woman's testimony about sexism worthless. And Walsh does get to point this out because SHE'S got the talking stick.

May 28, 2008

All Hail the Mighty Zuky

Racism is like a hellish mosaic whose imagery and meaning can only be seen from a certain distance and with a certain developed ability to discern the patterns at multiple levels of abstraction.

May 13, 2008

Register Your Bone Marrow!

Hey all, somebody else needs a bone marrow transplant.

Actually, a LOT of people need bone marrow transplants. Bone marrow is much harder to match than blood, and it's much likelier that someone will find a match with a donor from their own racial or ethnic group.

But people of color don't register as bone marrow donors in the same proportions as whites. So people of color with leukemia tend to get screwed. Mixed race people especially tend to get screwed.

I'd do it, but my diabetes prevents me from donating just about anything. So instead, I'm passing on the word, hoping that some of you will step up and do it for me.

If you're a person of color, you can get a free testing kit. Click here to register, no matter what color you are!

May 06, 2008

Starship & Haiku

51nq3cjherl_sl500_aa240_ What do you get when a burned-out, English-educated, Thai composer, who sometimes resides in the United States, and has read too much Mishima, starts to write science fiction?

Well, damn. You get something bizarre and almost beautiful. I say "almost" because S.P. Somtow tried to structure his 1981 novel Starship and Haiku like haiku--or at least, to make the experience of reading it recall the experience of reading haiku in macro. But it's a novel, which is sort of the anti-haiku form. So neither form--haiku, novel--quite succeeds, and neither quite fails, either. And there's a large admixture of pulpy prose in here, making the proceedings occasionally awkward.

The story: In the third decade of the 21st century, after a devastating nuclear war has left the Earth utterly moribund, politically-neutral Japan is the only country on Earth not left as a post-apocalyptic landscape. Two aging rivals--Ishida and Takahashi--form the powerful arms of a triumvirate that has taken over Japan. The faithless Ishida is the Minister of Survival and the superficial Takahashi is the Minister of Ending, charged with assisting the people to achieve perfect suicides to expiate humanity's crime of destroying the Earth.

Ishida has a secret project. Before the millenial war, the Russians (the book was written around 1980, remember) had completed a starship and left it orbiting the Earth. Ishida has a team of mostly western scientists building a rocket that will take a group of colonists to the Russian generational ship, which they will then aim at Tau Ceti, a four-thousand-year journey. The broader point is to ensure the survival of the human race in the face of its extinction through a devastating virus and debilitating mutations. The more specific point is to ensure the survival of Ishida's own daughter, Ryoko.

Knowing that Ryoko is particularly Japanese (I know, just go with it for a minute) and likely to wish for a beautiful death, Ishida sends her on a trip to Hawai'i to view the devastation firsthand. While there, she meets Josh Nakamura, a Japanese American man, and his younger brother Didi, a "strange" or mutant. Didi's mutation keeps him physically childlike and enables him to read minds and perform a certain amount of telekinesis. He keeps this secret from Josh, for some reason, and Josh thinks Didi is a cretin. Didi is all about joy and beauty and Josh doesn't get the whole Japanese thing.

There's a bit of back and forth and stuff happens. Upshot is that Ryoko develops a relationship with a whale, who (here comes the really bizarre part) reveals to the ministers that (mild spoiler) whales are the parents of the Japanese, a human sub-species that is human-shaped and whale-minded. That's where the Japanese obsession with beauty and death comes from (I know, bear with me a moment.) The whale also outs Ishida's anti-suicide starship plan. This revelation causes the rivals Ishida and Takahashi to kick into high gear. Takahashi becomes a deathgod, hounding people into suicide to expiate their patricidal sin (killing whales) and Ishida sends Ryoko off to make the starship thing happen. And so on.

Like I said, bizarre. On the one hand, there's this insanely reductive view of the Japanese as monolithically suicide-crazy and beauty-obsessed. On the other, there's a fairly nuanced (for 1981) understanding of a Japanese American identity in the person of Josh Nakamura, who may look like he's sprung from whales, but holds no truck with killing yourself after seeing the perfect teabowl or some such shit.

(There's a bit of business about how Josh and Didi get to Japan through trading their dead grandmother's antique teabowl for passage to a Japanese ship's captain who seriously considers immediate suicide since he is unlikely to see anything that beautiful again. The captain tempers his disgust for Josh's inability to see the bowl's beauty with the reflection that Josh was not raised Japanese, so it's not his fault. I have no idea if this was intentionally or unintentionally comic.)

But you can also read this as a secondary world novel, in which the "Japanese" are not our Japanese, but rather what Japanese would be if they were descended from whales. Yeah. Because of all the interesting things about this book, the most interesting is that it's the first SF novel--or maybe even the first novel, period--that I've read that instinctively understands two things about Asian America: its pan-Asian ethic, and its cultural Japan-centeredness.

The pan-Asian ethic is implied rather than stated. The only character whose identity isn't reduced to utter silliness is the proto-JA Josh. While reading Josh's character, you can't help but be aware that the author is Thai, but of a privileged enough background to have been educated abroad and to consider himself among the international creative community. Maybe it's just me, but his presentation of Josh's JAness feels proprietary: the presentation of a hybrid identity that's shared by the author by virtue of being Asian--any Asian--and transnational.

The 80's Asian American Japan-centerness was partly external and partly internal. Japan in the early 80's was on the ascendant, economically speaking. SF was fascinated with it as the supposed culture of the future (see Blade Runner and Neuromancer), and mainstream America was both fascinated by its exotic cultural--and business--virtues (see Gung Ho and Die Hard), and angered by its smooth victory over Detroit (see Vincent Chin). So Asian Americans in the 80's were forced to deal with mainstream America's perceptions of Japan, both "positive" and negative.

On the other hand, the 80's was when the redress movement for WWII Japanese American internment really heated up. (Reparations were finally awarded in 1988.) The Asian American Movement of the 1970's, which created the notion of a pan-ethnic Asian American identity, put a lot of its energy towards redress, and as a result, many Asian Americans who are not of Japanese ancestry feel a strong identification with Japanese Americans.

So it's fascinating that this book was written during all this ferment--and written at a time when American-raised Asian Americans were struggling to find an idiom to tell their stories in. Somtow doesn't explicate this particular Japanocentric, pan-ethnic Asian American sensibility so much as embody it in the book. He might not even have been entirely aware of it.

On another track, the book is a lovely experiment that recalls for me--of all things--Ernest Hogan's High Aztech. They were written about ten years apart and share almost nothing, except--and this is important--length, and hybridity. Both are not so successful as novels, both better read as impressionistic essays on 21st Century cities, technology, and human understanding.

I loved this book, which is unusual for me. I don't often love books this close to failure. But this one has done things I never thought to do with writing: taken the Mishima-style core of beauty and suicide that I've also felt and tried to write about, and made a piece out of it that I would never have thought to make. (My solution to Mishima was to write an ugly autobiographical story about a girl who reads too much Mishima ... but the less said about that the better.)

May 04, 2008

YouTube/Asia Society API Heritage Month Project

Awesome.

The Asia Society and YouTube have gotten together to post a series of videos from Asian Americans for API Heritage Month. They've started by posting vids about "What does being Asian American mean to me?" from luminaries like Sandra Oh, Kal Penn, and Yul Kwon, but it's open to any ol' slob ... like me. And I might just do it if  I can figure out how.

Clicky here to submit a vid or just watch the other ones.

May 02, 2008

What I'm Reading for API Heritage Month

Okay, having posted the CBS API Heritage Month list, what am I gonna read for it?

Well, I've already read:

  • Ted Chiang STORIES OF YOUR LIFE AND OTHERS
  • Haruki Murakami HARDBOILED WONDERLAND AND THE END OF THE WORLD

Yes, it's sad. That's all I've read.

I'm going to read:

  • Sesshu Foster ATOMIK AZTEX: I've actually read about half of this book but got distracted and didn't finish. So I'm going to start over and finish it.
  • Cathy Park Hong DANCE DANCE REVOLUTION: I've got it, I've started it, and I'm going to finish it.
  • Bryan Thao Worra ON THE OTHER SIDE OF THE EYE: I've got it, I've started it, and I'm going to finish it. By the way, go order this book! Bryan is a member of the CBS Steering committee and decorated the envelope he sent this to me in with a personal poem. Cool.

May 01, 2008

Carl Brandon Society API Heritage Month Book List

Hi Everybody!

It's not only MayDay, the day when everybody in the world except capitalist ol' USA celebrates labor, but it's also the start of the American ASIAN PACIFIC ISLANDER HERITAGE MONTH.

Yes, it's time once again to celebrate the Asian and Pacific Islander AMERICANS in your life. Don't hesitate also to celebrate the Asian and Pacific Islander whatever else's in your life as well, though.

The Carl Brandon Society
, per our new Heritage Month book program, has come up with a list of recommended speculative fiction books by writers of Asian and Pacific Islander heritage. (These writers are not all American.)

The idea is for you to copy this list and put it on your blog, email it to your friends, take it to your local bookstore and ask them to post it or make a display of these books, etc. We also want you to READ SOME OF THESE BOOKS THIS MONTH! They're terrific!

If you do end up reading one or more of these books, or have another API-heritage SF writer to discuss, please consider participating in the Carl Brandon Society's API Heritage Month blog carnival. A carnival is basically a "magazine" of blog posts on a particular topic. You just post something on the topic on your own blog, and then submit your post to the carnival by clicking the link and then clicking on the orange "submit your blog article" button.

Okay, without further ado,

The CARL BRANDON SOCIETY recommends the following books of speculative fiction for
ASIAN AND PACIFIC ISLANDER HERITAGE MONTH:

  • Ted Chiang STORIES OF YOUR LIFE AND OTHERS

A collection of stories from one of American speculative fiction's most precise and beautiful writers.

  • Sesshu Foster ATOMIK AZTEX

An Aztec prince or a Los Angeles meatpacker? The protagonist travels back and forth between two alternative realities, never sure which is real.

  • Hiromi Goto HOPEFUL MONSTERS

Wonderful stories by the author of The Kappa Child.

  • Cathy Park Hong DANCE DANCE REVOLUTION

The story of a Korean uprising told in pidgin poetry.

  • Kazuo Ishiguro NEVER LET ME GO

In a dystopian England, three children discover that they are clones produced to provide organs to the sick.

  • Amirthi Mohanraj (illustrated by Kat Beyer) THE POET'S JOURNEY

A young poet sets out into the wide world on a journey to find poetry; with the help of a few magical creatures, she finds more than she ever expected.

  • Haruki Murakami HARDBOILED WONDERLAND AND THE END OF THE WORLD

Mad experiments with the unleashed potential of the dreaming brain.

  • Vandana Singh OF LOVE AND OTHER MONSTERS

The main character wakes up from a fire and doesn't know who he is, but can sense and manipulate the minds of others. He is not alone in this ability. Singh takes us on a metamind ride.

  • Shaun Tan THE ARRIVAL

A wordless graphic novel about immigration and displacement.

  • Bryan Thao Worra ON THE OTHER SIDE OF THE EYE

Speculative poems that take us from the secret wars of the CIA in Laos to the secret edges of the human soul and the universe.

April 30, 2008

Awesome

via Angry Asian Man.

April 27, 2008

Blogging Beats, Amanda Marcotte, and Seal Press

Even a personal blog like this one has a beat. Although I'm a feminist and have been known to blog about women's issues on occasion, I don't consider myself in any way knowledgeable about feminism as a field. I read what I need to get on with my life and try to listen to more smarter and reader feminists than I. So I don't usually engage in discussions in the feminist blogosphere and the women of color blogosphere on my blog since there are tons of women out there saying the things I would have said if I knew enough, and saying it better.

I'm also allergic to appearing to be jumping on bandwagons, so when a discussion that doesn't fall within my specific beat is raging, I tend not to post about it myself. But on the other hand, I think meme-ing information is essential for its spread; that's the whole point of using the internet for political discussion. So it's puzzling to me to figure out how to pass news on in a way that feels natural to the functioning of my particular blog.

I've been following the flap about Pandagon blogger Amanda Marcotte and Woman of Color blogger brownfemipower. I've also been following the flap about Seal Press and its ill-judged response to women of color wanting more representation in the press. And I hadn't found a way to blog about it when the two flaps intensified exponentially by meeting in the middle. At this point, this is a story that needs to be passed on, whether I have anything of substance to say about it myself or not. And I suspect that some of my friends who read this blog may not have heard about this so I'm by way of performing a service ... or something.

So this post is just a pass-along. I'll list the relevant links to the sources of information at the bottom. To avoid link stack-up, if you intend to blog about this you might want to just link directly to the secondary sources below. (They're secondary since the original sources of the first two flaps are inaccessible.)

THE STORY SO FAR ...

Feminist independent publisher Seal Press came under fire this month for a discussion on a closed blog that I can't access. Apparently, in the post a woman of color expressed frustration that Seal Press didn't publish more books by women of color. The Seal Press editors responded in the comments defensively, saying they didn't get enough submissions by women of color, that it wasn't really their job to do outreach, and they didn't have the bandwidth anyway. They also said books by woc don't sell and accused the blogger of "hating," also stating that they knew the "you all engage best through negative discourse."

They eventually issued an explanation on their blog which ended up being edited without strikethroughs.

Independently of this flap, Pandagon blogger Amanda Marcotte ... well her wikipedia page puts it succinctly:

In April, 2008, Marcotte posted an essay entitled "Sexual Abuse Fueled by Abusive Immigration Language" on Alternet. In it, she discussed the intersections of racism and sexism as experienced by female illegal immigrants to the United States "without one attribute to any blogger of color, male or female." This led to allegations of appropriation on Marcotte's part ...

Numerous feminist bloggers pointed to Marcotte's actions as symbolic of a wider process of cultural and racial appropriation, in which the words and work of feminists of color are both given less value than those of white feminists, and co-opted by them. Several bloggers accused Marcotte of directly plagiarizing the work of another well-known blogger, Brownfemipower, as much of Marcotte's article appeared to be derived from Brownfemipower's work. These bloggers pointed to Brownfemipower's extensive history of highlighting immigration as a feminist issue and Marcotte's lack of history dealing with immigration on her blog, as well as Marcotte's previous admissions that she read Brownfemipower's blog regularly. Marcotte denied these allegations, claiming instead that she was inspired by a speech on a related subject delivered by Nina Perales of the Mexican American Legal Defense and Education Fund.

Blogger Problem Chylde did a smoking gun on her in a post that linked every line of Marcotte's article to a post on Brownfemipower's Woman of Color blog where the wording was similar.

As a direct result of this flap, Brownfemipower stopped blogging and took her blog down. Now even back posts are inaccessible.

Women of color bloggers were linking these two incidents already when a new scandal arose, involving both Amanda Marcotte and Seal Press. Again from Marcotte's wikipedia page:

In 2008, Marcotte published her first book, entitled It's a Jungle Out There: The Feminist Survival Guide to Politically Inhospitable Environments. In August of 2007, Marcotte [had] posted an image of the chosen book cover on her blog; the image "was a retro-Hollywood pulp cover of a gorilla carrying a scantily clad woman." The image immmediately came under fire for perpetuating racist tropes, and, consequently, Marcotte and Seal Press changed the cover image.

When the book was finally released, it again set off controversy in the feminist blogosphere for use of images that many saw as racist. To illustrate the volume, the publishers used images taken from the 1950s Joe Maneely comic, Lorna, the Jungle Girl, which was chosen for its retro comic art look. The illustrations used included stereotypical images of "savage" black Africans being beaten up by a white, blond, superhero. Marcotte immediately issued an apology, adding that a second printing of It's A Jungle Out There will not contain illustrations.

The latest news is that blogger Blackamazon, who was directly involved in the original Seal Press flap, has taken down her blog as well.

My only comments to this are as follows:

Although it's shocking that all three of these happened at once, I'm glad they did. If they had happened separately, at a distance of months or years from each other, it would have been easier to gloss them over, as many are trying to do now. But, unfortunately for Marcotte and Seal Press, each incident--which in itself is relatively easy for the ignorant to explain away--bolsters and amplifies the women of color bloggers' interpretation of the other events, until it becomes difficult for any reasonable person to not say, "wait a minute ..."

And I also wish that Brownfemipower and Blackamazon hadn't taken down their blogs. I understand them needing a break, or perhaps even deciding not to blog anymore. And I also understand them not wanting their work to be raided nor to hear the awful comments people were leaving.

But their blogs were important public resources, and although the blogcott is a strong statement, it's one that's felt most powerfully by those bloggers' allies and readers, and NOT by the bloggers' opponents. In making a statement of relatively small impact to Marcotte and Seal Press, the rest of us are being more powerfully deprived.

Perhaps more to the point, this flap has drawn a lot of more mainstream attention to Brownfemipower and Blackamazon and I wish all the new readers who are going online looking for their blogs could actually be met with the wealth of information and intelligent commentary that was there to be seen.

Here are the links:

A description of the Amanda Marcotte/Brownfemipower flap at Feministe.

A description of the Seal Press not publishing enough women of color flap on WOC PhD.

The offensive images from It's a Jungle Out There on Dear White Feminists.

Black Amazon's sign off on Problem Chylde blog.

 

*****Update

Seal Press announced on their blog a few days ago their publication of a book entitled Tales from the Expat Harem: Foreign Women in Modern Turkey.

When commenters objected to the use of the word "harem," the editors responded:

The Turkish harem comes from the Arabic word Ḥarām, meaning "forbidden." It's a word that originally referred to the "women's quarters" and literally means "something forbidden or kept safe."

Tales from the Expat Harem is neither a sexist nor a racist title. Please, let's not look for the racially embedded wrong in every one of our books.

I left my opinion in the comments if you want to see it. I have only this to add: being criticized so heavily in public must be very hard, and the editors of  Seal Press must be smarting bad right now. I appreciate that.

But as another commenter pointed out, common sense would/should militate at this point against shooting back defensively. Probably the best thing for them to do is ride all this out with an occasional "thanks, we'll think about what you said." At least until the smarting goes away and they can breathe again.

February 26, 2008

Voting The Minority

Two interesting opinions up at Salon today.

Edward McClellan says in  "The Dude Vote" that a lot of men aren't copping to the fact that they won't vote for Hillary because she's a woman:

A recent Associated Press-Ipsos poll found that, among men, McCain beats Clinton by 9 points. Against Obama, he only ties. There are also plenty of guys who voted for Barack Obama in the primaries but will switch to John McCain if the lady gets the nomination -- even though they'll have to leap over a huge political divide to get there.

... I never said to myself, "I want a man for president." I said to myself, "I want a leader who can unite the country." Like a lot of guys who are about to furtively nod their heads, I think of leadership as a masculine quality, so Obama and McCain seemed like the strongest candidates. I was also leery of Clinton's association with the culture wars -- I don't want to go through that again -- but she was a polarizing first lady because she was given power over healthcare before the nation was ready to see a woman in that role. (In 1994, I walked into a religious bookstore and saw an anti-Clinton biography titled "Big Sister Is Watching You.") Ultimately, it was impossible to separate my reservations about Clinton from the fact that she's a woman.

I also told myself I wasn't dismissing Clinton because I disliked her. I was dismissing her because other people disliked her. That's a popular objection, apparently. According to a CBS-New York Times poll, 81 percent of Americans say they would vote for a woman president; only 56 percent think other people would. But it's also a convenient dodge. If I voted against Clinton because "too many people hate her," wouldn't I just be validating the haters? They are, after all, largely responsible for making her "divisive."

Gary Kamiya takes a nearly opposite position in "It's OK to vote for Obama because he's black," saying that a lot of whites won't cop to the fact that they're voting for Obama because he's black.

This reaction is understandable. It feels more racially enlightened. To baldly proclaim that you support Obama because he's black seems to diminish his real qualities and achievements -- his stellar academic career, his work in the urban trenches, his liberal voting record, his ability to inspire. Foregrounding Obama's ethnic heritage implies that you're unhealthily obsessed with race, and make artificial decisions based on it. It can be seen as patronizing, as a merely sentimental, pie-in-the-sky gesture.

... Some critics who directly acknowledge the racial nature of Obama's appeal have argued that the wave of white support for Obama bespeaks not a genuine desire to bridge the racial divide but a bad-faith attempt to escape into some post-racial never-never land.

... Obama's charisma, which is his unique political strength, is real, but it cannot be separated from the fact that he's black. When Obama speaks of change and hope and healing divisions, his words carry an electric charge because of who he is: He embodies his own message, the very definition of charisma. As a black man offering reconciliation, he is making a deeply personal connection with whites, not merely a rhetorical one.

Some observations:

  • It's easy to accuse white men of racism or sexism, when white men are rarely motivated so purely by an ism in such a situation. It's less easy to accuse poc of sexism or liberal women of racism, even when there's a healthy dose of those operating.
  • Regarding sexism vs. black/white racism in this election, I'm seeing that the sexism operating in this election is the view that men and women are two different types of technology with completely different capabilities, whereas the racism in this election is more the view that black (men) and white (men) are the same technology but at different states of the art. Men and women would be, respectively, cars and iPhones whereas white men and black men would be, respectively, Porsches and Yugos.

Hillary is an iPhone with wheels. Obama is a pimped out Yugo. The paradigm shift required to take each of these two candidates seriously is completely different.

  • This may be obvious, but people who are sexist, aren't always racist, and people who are racist, aren't always sexist. I'm sure there are plenty of Clinton supporters who truly believe that she's the best candidate, and that many women could be, and also aren't sure that a black man can get the job done under any circumstances.

And it wouldn't surprise me to find that there were voters, men and women, who believe in Obama for a plethora of reasons, but can't quite get their heads around a woman president.

  • The people who have most to lose from a more equitable distribution of power among women and racial minorities don't always put their racism or sexism first. We could safely assume that a lot of racist, sexist Republicans would vote for Elizabeth Dole, or Condoleeza Rice, or Colin Powell, before they'd vote for John Edwards. Likewise, a lot of racist, sexist Democrats, faced with a confusing choice, aren't necessarily subconsciously comparing their prejudices, but rather going with an emotional reaction to charisma, or to familiarity and nostalgia.
  • Obama's popularity among young liberals isn't questioned as possibly being motivated by sexism. Sure, there's been plenty of feminist punditry about how Gen X/Y women have sold out feminism for Obama's charisma because they're not really proper feminists. But I've seen little speculation about whether we might be looking at a generation that, lacking the strong, widespread female fiscal and political leadership second wave feminists were expecting right about now, some of the young 'uns might simply have no model of female leadership to place Hillary into. I.e. they might straight up not believe a woman can be a good president, but, lacking prefeminist language and knowing vaguely that such sentiments are not okay, might lack a language to talk about this.
  • And Hillary's popularity among older women isn't questioned as possibly being motivated by racism. It's cast entirely positively, as in: second wave feminist generation women are voting their feminism. It's never: older white women won't vote for a black president.
  • The recent nonsense about racist Latino or Asian American voters is cast entirely from a mainstream, basically white American perspective. This perspective assumes that Latino and Asian voters see themselves in a racially essentialist way--see themselves as a member of a racial group and articulate themselves as people of color--and view the American political landscape as one in which people of color have common cause.

So let's say this again, people: the majority of Latino and Asian Americans are immigrants. Most of these immigrants are coming from a position of being a racial or ethnic majority in their countries of origin, even if they are of lower class. Most of them have a majority identity in their past. Most of them are struggling toward a position of self-determination and some sort of tolerable integration into their new society, not towards the marginalization of being people of color. Yes, some might vote racism or sexism, but most will have more pressing needs. And which candidate they see meeting these needs will be at least somewhat unpredictable to a native-born American.

January 14, 2008

The "Missing Black Woman Formation"

Not to be down on Scott Westerfeld, whom I consider a friend on the skiffy side of the blanket, but his recent blog post about the "Missing Black Woman Formation" (hereafter referred to as MBWF) needs some complications added to it.

The MBWF concept is explained by one of the characters of Scott's YA novel So Yesterday thus:

“You know, the guy on the motorcycle was black. The guy on the bike was white. The woman was white. That’s the usual bunch, you know? Like everybody’s accounted for? Except not really. I call that the missing-black-woman formation. It kind of happens a lot.”

Scott then goes on to point out that we're living through a MBWF right now, posting a picture of our current Democratic presidential front runners (Edwards, Clinton, and Obama, natch). He underlines this by posting a photo of Neo, Trinity, and Morpheus from The Matrix.

Okay, but not really.

There are a number of problems with this, starting with how complaining about a missing black woman only works for commercials (which is mostly what the So Yesterday characters were talking about.) Commercials are 30-120-second gestures in the direction of a brand. You have time to say one simple thing, so that's what you say.

The black man inserted into a white couple says, "Our brand is diverse!" whatever that means. The missing black woman, if she were to appear, would say, "We're selling to blacks and whites equally!" which is not what most commercials want to say. Most want to say, "Hey, liberal white guilt dollars! Flow this way!"

When you get into broader pop culture, and especially when you get into the bizarre mix of current mainstream reality, branding, idealism, fearmongering, and passion play that is the contemporary presidential race, the MBWF has nothing interesting or true to say to the matter anymore.

Gloria Steinem proved this in the NYT op-ed that Scott (and everybody else) linked to. By Shakespeare's sistering Obama (dang, can't we get some new feminist tricks?) Steinem sought to prove that women have it worse than blacks, but only managed to give every reader a case of  SIWWTABIDKW (something is wrong with that argument but I don't know what), which is usually accompanied by a terminal case of the squirmies.

What was wrong with that argument, by the way, is that you can't compare apples and oranges (or sexism and racism), and you can't predict society's behavior towards the intersection of the two except by, as Steinem did, assuming that each must be overcome separately before the intersection will become penetrable (Frex: we needed an Albright, and a Powell, before we could have a Rice.)

So, a listing of problems with MBWF as applied by Scott:

Flip through a magazine and check out the ads. In any group of three or more models, one invariably will be black. (If there are six or more models, one will be Asian and one Hispanic.) Same on TV. In any commercial for beer or snack food, one of the guys on the sofa is always black. This probably misrepresents the incidence of interracial hanging out, but it isn't just tokenism. It's a harmony fantasy, buried deep in the collective conscience.

I.e. the MBWF, a white fantasy scenario, is leaving out a much more complicated, and truly diverse, group of people because that would complicate and diversify the white audience's social scene, rather than placating them for having a mostly white peer group. So it's a bit more complicated than just a missing black woman. If we're going to look at negative space, let's really look at it.

  • I'll take the last one second: Keanu Reeves isn't white. He specifically was chosen to play Neo in The  Matrix because he is obviously multiracial. Many people don't know that Keanu is multiracial--not because he doesn't look multiracial, but because he's been offered to us as white since the mid-eighties and most people have never thought to question that. In the mid-eighties, it was because the mainstream consciousness had no concept of multiraciality, especially not Asian multiraciality. But those same people who were incapable of noticing Keanu's halfiness in the mid-eighties have become, in the interim, so sensitized to it that they would notice it in an instant now if they were to encounter a second Keanu. But Keanu himself, name and all, is grandfathered in as a white dude.

It is for both these reasons--the obvious multiraciality and his acceptance by mainstream audiences--that Keanu was cast in the racially radical Matrix. Suitably millenial, the first Matrix suggested that a lot of race mixing had gone on among surviving humans after the apocalypse with its casting of actors of a variety of races and mixtures (including Marcus Chong, Tommy Chong's adopted son, whose ancestry isn't public, but is almost certainly multiracial.) This was deliberate.

Morpheus as the odd black man out in a MBWF is questionable, but his status as a magical negro? not so much. I said the first Matrix was radical, not perfect. (By the way, I distinguish between the first Matrix and subsequent Matrices because the Wachowskis got lazy in the race element, as well as everything else, and let a bunch of black actors stand in for diversity thereafter, i.e. losing grip on the multiracial aspect of the whole thing.)

  • Finally, with regard to our beloved Donkeys, can I just remind everyone that Obama is a biracial child of an immigrant. Far from being a quibble, this is absolutely essential to understanding how Obama has gotten as far as he has, and how he might even have a real chance at the presidency.

As I said, in our new millenium, our mainstream culture has become sensitized to multiraciality, so that we begin to recognize it when it appears in the public forum. But we're not so sophisticated as all that. We recognize it, but we still gawk at it. It's still unusual, exotic ... and not yet re-problematized, as all new, exotic things are.

Obama's clear and apparent multiraciality (one that left him with darkish skin and European features, which earn him the adjective "handsome" even though he's nothing of the sort) put him beyond our immediate racial hierarchy into a biracial status that is still fluid in the public consciousness. If he were just black, he wouldn't be here, but because we don't exactly know what he is, he might still be electable. So there, Gloria Steinem, my lass.

Furthermore, Obama is not the child of an African American descendant of slaves and a white American; i.e. he's not that difficult and problematic product of centuries of slavery and sexual stereotyping. Rather, he's the child of a white American and a black immigrant. A what? Exactly. We don't know what to do about it, because it's an exotic and new story: the black immigrant. But, dudes, immigrant. Undocumented labor issues aside, the American identity is an immigrant identity, and the American story is the triumphal story of immigration and assimilation.

In this context it's much easier to see why Obama, the child of a black man and a white woman, doesn't trip more people's black man/white woman wires. The white woman in this case is the agent of assimilation to an honorable immigrant. As copious recent immigration from the Caribbean and East Africa shows, it's a toss up whether such an immigrant will come down as black or as immigrant in their interlocutor's estimation, when the shit really hits. Clearly this question is decided by what is most beneficial to the interlocutor. If the black immigrant in question is threatening them, then they're black. If, however the interlocutor needs an ally and the black immigrant shows willing, then they're an immigrant.

White America needs an inspiring leader--an ally--to take us away from all this horrible Bush stuff, so Obama falls off on the immigrant side in our popular subconscious, even if the public debate has been hijacked by the word "black." I'll bet a lot of people have already forgotten the recent debate over whether or not Obama is really black or black enough. That fight had to be fought out to get detractors out of the way so that we could talk about Obama as a black candidate without digressions. What no one has noticed is that we're processing him simultaneously at both levels: as a surface black, and a crypto-immigrant.

By accepting Obama as our symbolic representative, even if only for a few months, we are essentially underlining and celebrating our existing core American values: immigration, assimilation, triumph, and pot-won't-melt-in-my-mouth virtue.

And via Racialicious, here's a little sumpin' sumpin' to make you think hard about the intersection between race and gender: a nice, long, fascinating article about transgender people of color.

October 13, 2007

In Other News: Race Activists Now Have Superpowers

I got into it with Angry Black Woman guest blogger Nora a couple of months ago in comments on a post she wrote where I accused her of avoiding the racist issues that exist between African and Asian Americans. I won't get into that whole thing right now, but I write this to offer a caveat: there might be some little bit of unresolved tension motivating me, and you might want to keep your salt shaker handy.

(I intend to write a series of long posts about the tension between Asians and blacks eventually, but it seemed at best graceless, not mention divisive, to post those during the Jena 6 controversy, especially when there has been near-silence from the Asian American community--and me--about it.)

*****

So today I read Nora's post from Friday in which she wonders if racism has suddenly surged:

Because it really does seem like there’s been a significant increase in blatant, obvious racism, sexism, and other forms of bigotry these days. Is it just me? I’m not talking about the institutionalized stuff; that never seems to fade. But suddenly we’ve got nooses all over the place, racially-motivated rape/torture, and miscarriages of justice so incontestable that even the national media (eventually) comments on it.

Then she gives us a history lesson:

It’s been almost fifty years now since the start of the Civil Rights Movement. I count that time as the start of real, substantive US national dialogue about racial equality. For a brief few painful moments, the whole country talked about how to get along with each other: what not to say if you don’t want to piss people off, what not to do if you don’t want to get arrested or sued. During that time, blatant racism became societally frowned-upon. There was one immediate good result of this change: blatant racism diminished. There was also one very bad result: namely that a lot of people — not just white people — convinced themselves that racism had gone away.

That’s when things got weird. For one thing, the national dialogue all but stopped. With so many people declaring that racism was dead, it seemed strange to keep talking about it, so a lot of people went silent. For those who kept talking, a strange thing occurred: they became societally frowned-upon too. I can’t tell you how many times I’ve had friends, particularly friends of other races, apologize to me for mentioning race. Not for making racist remarks — for mentioning race. I bet it’s happened to you, too. WTF? Somehow, somewhere along the way, talking about race has become conflated with promoting racism.

The illogic between these two statements is boggling. First she says that we're talking about racism, nationally, all the time these days, then she says that we're not allowed to talk about racism. Why all this?:

of course, reports of racism’s demise have been greatly exaggerated. And lately, I’ve felt it getting worse.

I have no empirical evidence to back up this feeling — just my instincts, that sense of “race-dar” that most PoC develop somewhere in adolescence. My Spidey Senses are tingling more than usual.

Oh, I see. It's not because racist incidents are all over the news right now, it's because Nora's POC "race-dar" is going off. Because her "Spidey Senses" are tingling---those senses that only blacks have in full, but Indians and Latinos in part, Arabs and Asians a little bit, and white people not at all---she "knows" that there's more racism goin' on right now.

With this level of historical understanding, with this level of racial discourse, coming from someone who is promoted to us as a thought leader, is it any wonder that the racial discourse Nora engages in goes nowhere?

*****

First of all: Nora's understanding of the history of racial struggle in the United States (as presented here) is laughably simplistic. Since the mid-nineteenth century--and even before--there have been successive waves of liberation ideology, followed by the enlightenment of a few whites, the uplift of a few blacks, and then a serious backlash.

Anyone who has ever read the Emancipation Amendments to the US Constitution (13th, 14th and 15th), could have no doubt that full citizenship rights for African Americans was on the national table as early as 1865. This period, between 1865-1870 (the passage of the three amendments) and 1877 (the Hayes administration's withdrawal of troops from the South), saw unprecendented freedom in both northern and southern states for blacks, with the election of the country's first black politicians, and even interracial marriages.

The US wasn't ready, and our current stereotypical understanding of what "racism" is---Jim Crow laws, KKK, lynchings, voter restrictions, etc.---arose during the backlash that followed in the next quarter century (until the turn of the century.) A campaign of racial terrorism against blacks--not just in the south but in northern states as well--put a lid on black liberation for nearly thirty years.

Not coincidentally, this period also saw the passing of racist laws excluding the immigration, and restricting the citizenship, ownership, and labor opportunities of Asians, particularly in the west. During the latter half of the century, Mexican Americans in western states were lynched at rate of 473 per 100,000 of the population; gender was no protection. And Native Americans were, in this period, also finally defeated in the Indian Wars, restricted to reservations, and saw their children stolen and placed in Indian Boarding Schools, thus largely destroying their traditional cultures.

Of course that eased up again and in the first decade of the 20th century, a group of African American intellectuals, among them W.E.B. DuBois, started the Niagara Movement, which culminated in the foundation of the NAACP in 1909. The following thirty years saw a slow, steady (with many setbacks) development of black institutions in both the south and the north, as the Great Migration of southern rural blacks to northern cities spurred the Harlem Renaissance of the 20's, creating a second, larger generation of black intellectuals who not only articulated the race problem, but set the terms for a debate that still rages along the same lines today.

The 1920s and 30s also saw Asian and Mexican Americans joining the labor movement and gaining for themselves a measure of respect and power through that association. Native Americans won American citizenship. This period also saw many POC leaders first making the connection among the struggles of their various "races." Although no broad-based POC coalitions happened as a result, in the labor movement meaningful alliances were formed, for example in California between Mexican and Filipino field workers.

It's tempting to dismiss this period as a dark one, since the picture for most African Americans, not to mention other races, was one of poverty, limitation, and the constant potential for racial targeting. But racial issues hit the national discourse periodically, and the slow, upward creep of national racial consciousness never ceased between the turn of the century and the Civil Rights Movement.

The Civil Rights Movement was a breaking point, a climax in a tension that had been rising pretty much steadily until WWII, and then had been rising much more quickly throughout the fifties. Naturally, as after Reconstruction, this period of rapid acquistion of civil rights was followed by a serious backlash. Only this backlash was different, and much less successful. For one thing, much of the Movement had radicalized, and focused its energy on building up black instituations within the black communities.

For another, a lot of white liberal energy, as well as white conservative energy, was drawn off of Civil Rights into the antiwar movement. And, just as in WWII when black soldiers gained respect for their entire community, during Vietnam, white and black soldiers serving together did a great deal to change working class attitudes toward the black community.

Also, black civil rights inspired Asian Americans, Chicanos, and Native Americans to form their own pan-ethnic, racial liberation movements. The seventies, far from a conservative backlash, saw the success of the antiwar movement, and the establishment of national Asian American, Latino, and American Indian institutions, which solidified that national understanding of these groups as racial blocs, creating the basis for political power bases. A number of institutional battles for entitlements began during this decade that were ultimately won here or in the eighties: fights for affirmative action in the granting of government contracts, hiring practices, college acceptance, busing, nutrition and health entitlements for children, etc.

The eighties was when idiots like Ronald Reagan declared racism over, but that doesn't mean that racial discourse fell off the table: far from it. National identity-based institutions continued fighting for--and winning--entitlements based on race and ethnicity. This was the decade of "identity politics" and the "culture wars," which revolved not merely around whether or not Congress gets to decide what art is, but whether or not our national culture--both high and low--included the "subcultures" of women, queers, people of color, and immigrants. White artists like to say that we lost the culture wars, but POC and women resoundingly won the culture wars, as evidenced by the periodic grumblings of white men that there are too many unworthy women and blacks (and black queer women!) on reading lists, in magazine articles, in our fiction, nonfiction, national discourse, etc. etc.

The nineties was when Generation X, the first generation raised since the Civil Rights Movement, came of age and seized control of the national dialogue. This is part of the reason why racial discourse was driven, to a certain extent, underground. White GenXers both did and didn't believe Reagan when he said racism was over. They wanted to believe, but knew better than to trust politicians and media. Also, all the institutional entitlements won in the 60s, 70s, and 80s, although constantly embattled, had been so bound up with class, rather than race, entitlements, that--as Nora points out--the Clinton Administration was able to make racial entitlements a question of socialism vs. democracy.

(By the way, today, Bushies have taken advantage of this to shame race activists. It's really hard to argue that blacks, for example, should get more entitlements, when poor whites are losing theirs, too. And yet racial institutions are so used to calling the white man the devil--and I'm talking about all the racial institutions--that they're really hard pressed to form pan-racial coalitions of impoverished and working class. This is particularly hard when conservative working class whites insist on believing that the entitlements they're losing are "socialist.")

The nineties, however, particularly the late nineties, saw a coming of age of GenX POC, who have leveraged new media and the culture/media discussion of the eighties to create a media-savvy, national voice for themselves and each of their groups. Much of the discussion of the nineties was around representation in the media. Anyone who says that discussion of race went entirely underground just. wasn't. paying. attention.

The early "aughts" or "00s" of the 21st Century gave us two things: another racist war, and Katrina. Katrina brought race back into the national consciousness, and also consolidated a new way of leveraging opinions, funds, and action: the internet. And let's not forget moveon.org's move from the internet into face to face activism during the 2006 election, which resulted in a Democratic win. We talked a lot without doing much about race in the nineties because we didn't know how to close the gap between virtual and real communities. But we've learned how to do that recently.

Which brings us to today, black bloggers like ABW and Nora, and the thousands of others who made Jena a household word of shame, and to my second point.

*****

Secondly: it's loooong been a question whether the rape and child molestation rates have really risen over the few decades that they've been collected, or whether recent acquisitions of civil rights for women and children have allowed these crimes to be reported at levels more closely approximating their actual occurrence. This same question dogs every societal malaise and malady that becomes a trend: scientists are currently wondering if we're really having an autism epidemic, or if we've become so sensitized to autism spectrum conditions that people who never would have been diagnosed before are now being diagnosed.

Did it ever occur to Nora to wonder if racist incidents are all over the news right now not because suddenly racism is happening everywhere (it boggles my mind that Nora seems to think that this shit hasn't been happening quietly everywhere all along), but because suddenly race is on the national agenda again for a variety of reasons?

But you have to know history to understand--or even to see--these reasons:


  1. The 21st century is seeing an unprecedented "wiring" of American POC to the internet, and an unprecendented ability to leverage new communications to organize.

  2. The POC rehearsal of the nineties, in which internet-savvy POC practiced outrage by quibbling endlessly with media race portrayals has resulted in broad-based, loose national coalitions of opinion-creating POCs who can activate quickly.

  3. The current antiwar movement, the mobilization of funds and volunteers for Katrina through a blog-led racial outrage machine, and the realization, through moveon.org's successful 2006 election campaign, that online mobilization actually works, has finally culminated in racial groups actually using the internet to mobilize

  4. It's time, historically, for race to come back to the table, as it always does, sooner or later.

Far from it being a bad thing that Nora's supersenses are tingling, it's a wonderful, wonderful, wonderful thing.

Black voices of our and the next (Gen Y? Echo Boomers? Millennials?) generations are being unleashed on questions of socio-economic equity, and not just on media portrayals. This is why everyone is suddenly so angry and suddenly news of racist incidents is hitting us from everywhere. We have a new generation of POC discovering that racism isn't over. And they're, understandably, pissed. But that's when things get better, Nora, not worse, when people who should get angry, do, and start organizing mass demonstrations.

This is good for everybody, and especially for racial bloggers like Nora, who will suddenly become information portals for mobilized POC, exhilarated by their last---and looking for their next---battle. This is good for the bloggers who are prepared to look at both class and race, to sacrifice their egos and cherished points of view for the sake of a vitally important developing dialogue. Maybe not so good for bloggers who aren't capable of difficult change.

It's up to the bloggers themselves to make sure that they keep their audience ... if they can.

October 03, 2007

readin' update

Deep Wizardry by Diane Duane

Wonderful, again, like the first. And, again, like the first, a little bit of a disconnect between the hokey-jokiness of meeting whale wizards, and finding out dolphins' real, and very silly, names ... and the very serious and dark turn the book takes around the middle.

Beautifully written and heartfelt. But this tonal disconnect is starting to worry me. Don't know if it's just a personal limitation or if it's a problem with the book. I'll definitely keep reading, though. This stuff is too good not to.

The Brief, Wondrous Life of Oscar Wao by Junot Diaz

Still digesting. But a few initial observations:

  1. after this, no one gets to use a "The ______, _______ Life of _______" title anymore. Oscar Wao finished that mini-trend, and anybody else will be overkill. I mean it. Francis MacComber will crawl out of his short, happy grave and eat your brains if you try it.

  2. Diaz also brings the geeked out, pop-cultured, genx hipster, muscle-voice to a point. Everybody's been trying it (including me) and it's taken care of now. Enough.

  3. I've been rebelling against the American Immigrant Story Structure for so long now, that everything stinks of it. I can't tell if this is regressive, or if this actually moves it forward. I don't think it moves the immigrant story out of its mid-century straightjacket, but, like I said, I'm still digesting.

  4. If you imitate the voice and outlook of a terminal macho asshole so well that your readers can't tell the difference between authorial and narrator's voice, then aren't you the terminal macho asshole? Just because you namecheck Los Bros and Luba, to get all meta and distance yourself from the fact that your one strong, alive female character is racked like a bowling alley, haven't you still showcased the breasts before the person?

I haven't decided on all this yet, and I finished the book a week ago. That's a good thing.

August 07, 2007

International Blog Against Racism Week 07

Yay!

Oyceter over at LJ is again hosting International Blog Against Racism Week.

Da rulez:


  1. Announce the week in your blog.

  2. Switch your default icon to either an official IBAR week icon, or one which you feel is appropriate. To get an official IBAR week icon, you may modify one of yours yourself or ask someone to do so. Here's a round up of IBARW icons.

  3. Post about race and/or racism: in media, in life, in the news, personal experiences, writing characters of a race that isn't yours, portrayals of race in fiction, review a book on the subject, etc. (Linking back here is highly appreciated!)

You KNOW ima participate. Howzabout you?

Here's Oyce's links roundup so far.

(Cross-posted on Other Magazine blog.)

August 05, 2007

How Do Editors Reach Out to Writers of Color?

Damn.

I wasn't gonna get drawn into this debate, because Tempy and Tobias were already doing such a good job and saying what I wanted to say, but then I went and read the comments in Tobias's post and now I'm annoyed.

People were--well, one person was--calling out ABW for placing the lion's share of blame on the editors' shoulders for needing to go and reach out to writers of color if they really wanted to diversify the stories in their rags. This someone asked when they were supposed to have the time to do all this outreach.

Are you fucking kidding me?

First of all, arguing that editors don't have time to do their jobs doesn't really excuse anything. It's an editor's job not merely to present the best writing that's sent to her, not merely to make a real, good faith effort to find the best writing that's out there, but to actually encourage writers to produce more and differently--to shape the kind of writing that gets made in the first place. Anyone who doesn't know this isn't really a professional in the field.

And the best editors of the most respected magazines do exactly that. They don't sit on their asses and wait for the transom to emit. They run around like madpeople to conferences and workshops and readings, they collect zines and spend time on the internet and ask their trusted writer/editor friends for recommendations. They talk to agents. They do rain dances, naked.

They also turn to writers and agents and proactively ask them if they have a story on X, or a story written like Y. They do this knowing that word will go around that Editor Z wants X and Y! And tons of hungry writers will step up.

So it's funny that X and Y are so rarely "stuff by writers of color" and "stuff about people of color." All an editor has to do is ask.

2) Given that editors have to do this and also that their time is limited, why don't we poc make things easier for them? I mean, let's start a list of places an editor should go to outreach to those ever-elusive good poc writers. I'll start and maybe members of other communities can pick this up. I'd be happy to host a mini-carnival on this topic, or simply to collect the responses and post them all together at some later date. Please feel free to add resources in the comments, especially if you have a blog that you know poc writers read.

These tips should include:


  1. list servs, forums, bulletin boards, etc. where poc writers are likely to be found

  2. blogs poc writers are likely to read

  3. print and online magazines and newspapers poc are likely to read

  4. real world organizations poc writers are likely to hang out in

  5. poc writers conferences, conferences, festivals (esp. literary festivals)

  6. reading series where poc are likely to participate

  7. undergraduate writing classes at poc-heavy campuses and poc student orgs (yes, they really should be thinking ahead. Someone will be much more likely to START writing if they know they'll be welcome there when they've FINISHED writing something.)

What follows here is a list of all the poc real world and online spaces I can think of to use to outreach to writers of color. NOTE: this goes for literary writing AND for SF/F:

General POC


  1. The Carl Brandon Society (poc speculative fiction writers) discussion list-serv and blog

  2. VONA Voices poc writers workshop, and their email.

  3. Mosaic, an African American and Latino literary magazine, whose lit editor is Sheree Renee Thomas


Asian American
  1. Kearny Street Workshop (Bay Area Asian American arts) opportunities list-serv

  2. Kearny Street Workshop's links page to other Asian American arts and literary orgs.

  3. Asian American Writers Workshop

  4. Hyphen Magazine (national Asian American magazine) blog

  5. Angry Asian Man blog

  6. dis*Orient Journalzine

  7. This listing of South Asian American (Indian subcontinent) journals also includes general As Am markets, some of which might be defunct.

  8. DesiPundit blog, Indian diaspora.

  9. Tiffinbox blog, Indian diaspora.

  10. Resources on South Asian lit.


Chicano/Latino
  1. Galeria de la Raza (Bay Area Latino multidisciplinary arts organization.)

  2. PALABRA A Magazine of Chicano & Latino Literary Art

  3. La Bloga, a Chicano/Latino literary blog

  4. Other Latino literary resources


African/Caribbean American
  1. African American bookstores in the USA.

  2. Black magazines and journals with open submissions.

  3. Publishers with a particular interest in Af/Af Am writers.


Arab American
  1. Links list of Arab writers writing in English.

  2. Mizna, Arab American Journal

  3. Al-Rawi, association of Arab American writers.

  4. Resources and links to Arab American writers.

  5. Angry Arab blog


Native American/American Indian
  1. Native American writers directory

  2. Native Blog, native American/American Indian blog.

  3. Native American/American Indian literary resources.


Academic

  1. Here's a links directory of all the accredited Asian American studies departments and courses in the USA. Many of them will have As Am-specific creative writing courses.

  2. Here's a links directory of African American studies departments and courses in the USA. Many of them will have Af Am-specific creative writing courses.

  3. Here's an incomplete links directory of Latin American/Caribbean studies departments and institution in the USA. Some weeding will need to be done.

  4. The University of Michigan's Arab American Studies Center. A bulletin board, newspage, and resources page are all under construction, but you can email them your call for submissions here.

  5. List of Native American Studies programs

May 02, 2007

Asian Pacific Islander American Heritage Munff

It's a mouff-ful so we just call it "API Heritage Munff" which makes us sound extra "in" as in "in the know".

It's May, by the way, although some people I can mention, who work in an API nonprofit I could mention, seem to think it's April.

That's shameful.

Anyway, down Yay Area Way artsy things tend to center around SomArts Cultural Center (look it up yourdamnself, I just got home from work) where APICC (the "CC" stands for "cultural center") holds it annual munff-long festival. The kickoff's Thursday night, i.e. tomorrow, and I will be there, with silk on.

Sigh. I feel like some sort of effort is in order, a la Angry Black Woman's Black History Month thang, but I'm sodamntired right now. I even walked to lunch yesterday in the middle of a huge downtown Oakland MayDay immigration reform rally and couldn't, for the life of me, figure out why they were having such a rally on that day. I might need to post about this latah.

I was about to make all sorts of rash promises, but I'm going to go take a walk instead which, if it doesn't wake me up, will be followed by a nap that just might segue into tomorrow's breakfast.

April 17, 2007

Oh God

... the shooter was