atlas(t)

edward glaeser on the daily show

edward Glaeser loves him some city. Check it out.

my chapbook is out, yay!

i've been very bad about posting here, I know, but it's because I've been busy with a bunch of things. One of these is a chapbook being published by Aqueduct Press, which is out now!

(Although someone pointed out that, because it's perfect bound, it's not technically a chapbook.)

Yay! My little book, called Slightly Behind and to the Left: Four Stories and Three Drabbles, and is available NOW at Aqueduct Press' website! (Click on the "orders" button and scroll down.)

Right now, for the holidays, the book, usually $12, is $9, so get it now! Also, the book is part of a series called "Conversation Pieces," which you can subscribe to at $80 for 10 consecutive subscriptions (and you can choose which title to start with.) I've read a handful of these titles and they're all worth it, so you might consider a subscription, or make it a gift for the feminist or progressive geek in your life.

OMG, I'm so excited!

hyperart: thomasson

i'm so proud of our new book trailer!

I've been working with Kaya Press for about a year now, and we've produced two book trailers, each one for a book that it's really difficult to describe in words. The one above is for our new title -- available next week -- HYPERART: THOMASSON by Genpei Akasegawa. Akasegawa is a Japanese conceptual artist -- a contemporary and colleague of Yoko Ono -- who came up with the concept of "Thomassons" in the late seventies, early eighties.

When an urban structure loses its usage, but remains standing, attached to the property it used to serve, and still being aesthetically maintained, then it is a "Thomasson." We're talking about staircases that lead to nowhere, bricked up ticket windows, outside doors in the third story of a building, etc. Akasegawa contends that these things are not stairs, windows, and doors, but rather art shaped like stairs, windows, and doors: unintentional art created by the city; hyperart.

He and his colleagues refined the name to "Thomasson" because at that time, 1982, American baseball player Gary Thomasson was playing for the Japanese team the Yomiuri Giants ... or rather, NOT playing, because he couldn't seem to manage to hit a ball. Yet they still paid him to be there. Akasegawa thought him the perfect, living hyperart, and named the whole phenomenon after him.

In the mid-eighties, Akasegawa had a column in a Japanese photo magazine about Thomassons, where he accepted submissions of thomassons: photographs, and descriptions. He published these and discussed whether or not they were thomassons, why, and what kind. These columns were eventually collected into a book in the 80's which quickly became a cult classic among Japan's youth.

This publication is the first time that Hyperart: Thomasson has been translated. To mark the occasion, translator Matt Fargo created a Thomassons website where people can submit their own thomassons, as well as vote on whether or not submissions are thomassons, and discuss these.

And I'm working with Kearny Street Workshop to develop a guided performance tour of local San Francisco thomassons. The project is called "SF Thomassons" and there's a special page on Matt's Thomassons website for local exemplars from our stable of photographers.

And finally, Kaya and KSW are having a book launch partay on December 18 in San Francisco, where you can get a free preview of the tour. Yay!

after sesshu foster

sad America, who will hold your Entropy Hand?

I will hold your Entropy Hand with Old World Simulacrum nestling your Adolescent Limbs.

I will hold your Entropy Hand with Airport Plaque sacred on your Haunted Asphalt.

I will hold your Entropy Hand with Jeepney Triumph remaking your Guilty Garbage.

I will hold your Entropy Hand with Crisp Canal Map logging your Lovely Bleeds.

 

I will hold your Entropy Hand with New World Simulacrum, spice for your Sand Foundation.

I will hold your Entropy Hand with Dried Tears Windshield for your Mourning Horizons.

your entropy hand

i think I've found my new favorite blog (sorry Pruned!):

I've been working with Kaya Press (I'm doing publicity for them, freelance) an awesome, high-quality indie book press for Asian/Pacific Islander/API diaspora books. They published poet/novelist Sesshu Foster's first collection of poems, City Terrace Field Manual, an amazing work of landscape writing about the people and stories that inhabit a particular piece of L.A.

Sesshu's also been on my hit list for a long time because his second book was the novel Atomik Aztex, an alternate history which switched a Latino L.A. meatpacker back and forth between two parallel universes: this one, and one in which he was an Aztec prince in a world in which the Aztecs had beaten the conquistadores and ended up an atomic power. So up my alley.

Anyway, I didn't know Sesshu had a blog, but someone pointed it out to me recently. There I found this wonderful photo-poem of infrastructure entropy and imagination, titled "Sad America, who will hold your Entropy Hand?" Lovely.

I supposed someone could make a book or zine out of this, but then you'd have to fuss with permissions, and expenses, and stuff. I think this is exactly the sort of art/writing that blogs enable, and I want to see more more more! I kiss it!

Enjoy.

History of the Ordnance Survey

i'm genuinely uncertain of the purpose of the article, but the BBC News reported recently on a nonfiction prize given to a Brit research fellow for a book she's writing on the history of the UK's Ordnance Survey, the body that mapped the Isles. The article is actually the fellow's (Rachel Hewitt's) thoughts on the book and why she wrote it.

Founded in 1791, it was the product of a very different type of revolution: the French Revolution and its threat to English's south coast.

A military survey became essential, and the Ordnance Survey was born.

It was also a revolution in itself. The OS was the very first complete, accurate map of the British Isles conducted on a uniform scale. The story of its birth and progress is therefore a story of the history and identity of the United Kingdom and its landscape.

... British writers found themselves enamoured with Ordnance Survey maps from the start. William Wordsworth befriended the early surveyors; Jane Austen adored the sense of order that the maps gave to the nation in an otherwise disorderly, revolutionary period; and, more recently, Brian Friel has considered the OS's Irish map to encapsulate the brutal, imperial nature of England's rule.

I am writing a 'biography' of this iconic national institution.

Her whole article is weirdly fragmented and nonlinear, and it's hard to figure out why they asked her to publish the piece, rather than just interviewing her and writing a more coherent -- and cohesive -- article.

But I'm still interested in the book, and may request a review copy when it comes out next year.

Speaking of reviews, up next is a review of Experimental Geography as soon as I get some room in my schedule to breathe.

today's diagrams

a flow chart guide to understanding flow charts. Via.

Writer Diana Peterfreund's plotboard for her latest novel. Via

austin kleon's maps of fictional worlds

austin Kleon has a nifty post about maps of fictional worlds ... primarily made by the authors themselves.

My undergrad thesis argued that world-building wasn’t just for fantasy and sci-fi writers—every tale has a setting, every tale creates a world in the reader’s mind—and it explored ways that drawing that world (visual thinking!) can lead to better fiction.

Some of my favorite “lit’ry” books are accompanied by maps.

I've talked before on this subject and have nothing new to say at this time, but check out the post for images and links to other maps, especially in Kleon's previous posts, and in the comments section.

Via Gwenda.

promises, promises

i'm back, but I'm bad. Tired, fighting off a bug, catching up on work, etc.

What's coming up: I've finished (finally) The Death and Life of Great American Cities and plan on putting a cap on that, blogging-wise.

Also, the Princeton Architectural Press was silly enough to send me some free books (dere beeyootiful!) and I need to do right by them. (I started getting sent a few books over a year ago by folks and never got around to posting about those and I feel extra guilty, so I'm correcting the error. I think ...) They asked me if I wanted the two below and I said yes, and they threw in another one gratuitously, which I reviewed here. (Bet they're regretting that now, huh?)

Right now I'm in the middle of Hyper-Border: The Contemporary U.S.-Mexico Border and its Future by Fernando Romero/LAR. "LAR" is not a verbal ejaculation, much as I would like to do that to my name ("Claire Light/Arrrhhh!"), but rather the architectural firm he founded. And yes, the book required a design firm as co-author; if they offer you a review copy, say yes, is all I'm sayin'.

This book review will be followed by a couple of posts on the theme of the Mexico/US border and art, which have been waiting for me to get my azz in gear.

Next up will be The Concrete Dragon: China's Urban Revolution and What it Means for the World by Thomas J. Campanella. Very exciting. I haven't been to China since 1993 so I've missed pretty much the whole thing. I'm about due for a visit, and reading this book will be the first step.

After that, dunno. I have some aging ideas about transportation I finally want to get to, but I might get distracted by shiny baubles. Plus, I never keep my blogging promises.

steven johnson on the ghost map

a book I really need to read:

"... and he evenutally created this map, which is where the title of the book comes from, that showed, in a sense, all the deaths in this neighborhood radiating out from this single point on the map ... and so at this moment of great terror and death and destruction, a new clarity emerges ..."